Terrie Samundra is a Writer/Director who grew up between a rural village in India, a small farming town in Missouri, and along the coast of California; informing her work as a multi-cultural artist. She is an alumna of the Sundance Institute | Mumbai Mantra Screenwriter's Lab for her screenplay BETAMAX, co-written with David Walter Lech.
Samundra is the Writer/Director of the short films KUNJO, ICE CREAM WALLAH, and A SHORT TALE OF XUAN, which have all played internationally and garnered many awards. In making KUNJO, Samundra fulfilled one of her life’s goals by making a collaborative film in the village she was raised in Punjab, India. The film won Best Narrative Short at the Academy nominating Athens International Film Festival, the Audience Award at the Indian Film Festival of LA, and was the first film to win the “Wake Up To Justice” Award at the Angelus Film Festival, an award geared toward films addressing social justice issues. In the Fall of 2017, Samundra will direct her first feature film, KALI KHUHI (The Black Well), a horror film set in India and produced by Jar Pictures.
She has penned the screenplays TOWN BLOODY HALL (an adaptation of the Pennebaker documentary of the same name), KALA KHUHI, BETAMAX, WESTERN INTERIOR SEAWAY, and the episodic series THE BALLAD OF POOJA. She is currently adapting the one woman play ME, MY MOM, & SHARMILA, with actor/creator Fawzia Mirza.
In 2016, she was hired to create 10 short documentaries for Planned Parenthood's 'Stories of Care' series, to coincide with the 100 year anniversary of the organization. Samundra is also a creative writing instructor at CreateNow, an arts organization focused on mentorship and education for at risk homeless and foster youth. She is a Princess Grace Award recipient, a National Geographic All Roads Seed Grant recipient, and an active member of the Writer's Guild of America.
She is an avid comic book nerd, is passionate about genre films, has been writing poetry from a young age and is the daughter of Punjabi author and poet, Shashi Samundra.